Teaching Descriptive Poetry in November

November is the perfect backdrop for poetry. With the constantly changing leaves that fall like snow, the dark and dreary smoke wisp clouds, and colorful foliage peppering the grey-green lawn, there are so many inspirational scenes to use for teaching descriptive poetry in November.

April is National Poetry month and what an exquisite time to usher in the genre of literature with the stage of spring, but fall in November is just as wonderful of a time to write poetry! From describing the fall scenery to describing what students are thankful for, to even tasking your class to describe a Thanksgiving dish, there are boundless opportunities for descriptive poetry.

Descriptive poetry does not necessarily tell a story like a narrative poem. This type of writing is meant to create vivid imagery in a reader’s mind. Descriptive poetry has certain key ingredients that students can utilize when writing a wonderful fall poem. Just like there are specific ingredients for pumpkin pie, there are certain ingredients to make up a well-rounded and well-written descriptive poem!

Key Ingredients:

  • Specific Word Choice
  • Adjectives
  • Figurative Language (Similes, Metaphors, Personification, Onomatopoeia, etc.) 
  • Imagery
  • Sensory Words

Step 1: Read Poems for Teaching Descriptive Poetry

When teaching descriptive poetry, the first step is for students to be inspired by authentic poems and to learn to recognize the key ingredients within those poems. (Having a healthy knowledge of the key ingredients first is crucial, of course. Check out our spooky figurative language activity to teach this key component.

Grab yours today!

It is best to read a poem multiple times with students. On the first reading, students take in the description the author is conveying and they can visualize the scene. On a second reading, with the teacher’s help, students can dissect the various adjectives and figurative language throughout the poem. They can circle the words that evoke vivid images and the specific word choice that shows the various five senses. Work together to find how the author showed fall instead of just telling about it. Ask your students: “How did the writer show us it was chilly instead of telling us it was cold outside?”

These autumn poems act as a mentor text to help students understand how to write a descriptive poem.

Here are some wonderful examples of descriptive fall poetry that can inspire students. Perfect for your students to read, color, and place in their notebooks. Click on the link below for 4 Autumn Descriptive Poems. 

Grab your FREEBIE Google Slides today!

Step 2: Prewriting

Once students have been able to read other fall poems and become motivated by the important components of descriptive poetry, I encourage students to get out in nature to observe and write about the fall season, if that is the topic of their poem. 

Just by getting outside and smelling the crisp air, watching the cascading leaves, and feeling the cool breeze, students will feel energized to write that descriptive fall poem.

Encourage your students to take a journal to write down whatever they see, smell, hear, and feel. By taking students outside, they may be able to include specific details in their writing instead of just remembering what fall is like from the inside of a classroom. 

As they observe and take descriptive notes, they can utilize that information to help them write their poems.

If students are describing what they are thankful for, have them make a list of all the aspects of the thing that they are focusing on or the many ideas/elements of life they are grateful for. Making a collage on Canva, a Pinterest board, or a physical collage with printed images of what they are thankful for helps them focus before they start writing the descriptive poem. 

If students are describing a Thanksgiving dish, have them look up images online, go home and taste that item, and do any research they can to fully describe it. Students focus on all the senses when it comes to that dish, not just the taste sense. Challenge students to use figurative language to make comparisons. Their favorite Thanksgiving dish of sweet potato casserole would have marshmallows as fluffy as clouds. Their favorite apple pie can taste like a symphony of cinnamon. 

Descriptive Poetry Activities:

Are you searching for a simple way to teach descriptive poetry? Look no further than our Descriptive Poetry Activities! These activities provide clear instructions for teaching descriptive poetry and offer helpful guidelines for students. Just like there are special ingredients that make a yummy pumpkin pie, students will discover the special elements that make a descriptive poem truly delightful!

Grab yours today!

Step 3: Write Poem

I have found it crucial to give students specific guidelines to help them write a wonderfully descriptive fall poem. When guidance isn’t given, I receive 3-line poems with 2 adjectives, and we don’t want that.

The guidelines I give students allow for creativity and freedom but it allows them to see a template as to what works best for a descriptive poem.

Guidelines:

  • 10 lines or more
  • Can be Unrhymed or rhymed
  • 1 or more metaphors
  • 1 or more similes
  • 1 or more personifications
  • 1 or more onomatopoeias
  • 1 or more alliterations
  • 3 Sensory Words
  • 5 Adjectives
  • Showing & Not Telling

Step 4: Revise and Edit

When students have finished their poems, I like to meet with them. First, we go over the guidelines. That’s when flexibility comes in. If their poem didn’t have exactly five adjectives but still did a wonderful job utilizing similes and metaphors and sensory words, then that’s okay. I express that to them. The guidelines are there as a template, but it doesn’t necessarily mean a descriptive poem needs all of those elements all the time. In fact, the poems we read, to begin with, did not even do that. 

Step 5: Publish, Illustrate, & Display

Illustrate and display! Descriptive poems should convey images in the reader’s mind of the fall season, so what better thing to do but illustrate what the writer is showing? I’ve had students complete watercolors of their fall poetry scenery. Students can simply draw and color what they wrote about, or even piece a collage together. Students can create a poster on Canva that shows what they articulated in their poems.

When I taught elementary school, I had a big tree display on my wall. It was our “Poe-Tree.” I would change the leaves on it depending on the season and place the students’ poems on the branches. By creating a “Poe-Tree,” and displaying students’ poems, the rest of the class can read them and become inspired too.

Our Gather Fall Bulletin Board Kit is also a perfect backdrop to display any Thanksgiving thankfulness poems or any other descriptive poems they write.

Conclusion

Just like a perfect slice of pumpkin pie, a descriptive poem contains certain ingredients to help make it all come together beautifully. This November is a wonderful time to teach descriptive poetry. Challenge your students to describe the scenery, what they’re grateful for, or a delicious dish. The fall is just as great a time to teach poetry as the spring. It may even become your favorite time to do so!

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Poetry Virtual Library

As an elementary librarian, I am always on the lookout for books that will interest my readers, keep them engaged, and at the same time, leave them wanting more. This sounds so simple on paper, but it is definitely a huge endeavor. With that, I have created a Poetry Virtual Library to share with you to kickstart Poetry Month all during the month of April.

Our Virtual Library includes some classics, such as Owl Moon, by Jane Yolen, and The Giving Tree, by Shel Silverstein. In addition, it also includes some books that many might not think of as poetry since it looks more like a picture book than a typical poem. However, many, many picture books are actually indeed poems eloquently spread across 24 pages with lots of exciting illustrations along the way. Please enjoy our list of Poetry Books for the month of April.

Click here to grab your Poetry Virtual Library Google Slides today:

Book #1: Owl Moon, by Jane Yolen

Publisher’s Synopsis:

Late one winter night a little girl and her father go owling. The trees stand still as statues and the world is silent as a dream. Whoo-whoo-whoo, the father calls to the mysterious nighttime bird. But there is no answer. Wordlessly the two companions walk along, for when you go owling you don’t need words. You don’t need anything but hope. Sometimes there isn’t an owl, but sometimes there is.

Distinguished author Jane Yolen has created a gentle, poetic story that lovingly depicts the special companionship of a young child and her father as well as humankind’s close relationship to the natural world. Wonderfully complemented by John Schoenherr’s soft, exquisite watercolor illustrations, this is a verbal and visual treasure, perfect for reading around and sharing at bedtime.

Book #2: 16 Words, by Lisa Rogers

Publisher’s Synopsis:

This simple nonfiction picture book about the beloved American poet William Carlos Williams is also about how being mindful can result in the creation of a great poem like “The Red Wheelbarrow”–which is only sixteen words long.

“Look out the window. What do you see? If you are Dr. William Carlos Williams, you see a wheelbarrow. A drizzle of rain. Chickens scratching in the damp earth.” The wheelbarrow belongs to Thaddeus Marshall, a street vendor, who every day goes to work selling vegetables on the streets of Rutherford, New Jersey. That simple action inspires poet and doctor Williams to pick up some of his own tools–a pen and paper–and write his most famous poem.

In this lovely picture book, young listeners will see how paying attention to the simplest everyday things can inspire the greatest art, as they learn about a great American poet.

Book #3: I Got the Rhythm, by Connie Schofield-Morrison

Publisher’s Synopsis:

On a simple trip to the park, the joy of music overtakes a mother and daughter. The little girl hears a rhythm coming from the world around her- from butterflies, to street performers, to ice cream sellers everything is musical! She sniffs, snaps, and shakes her way into the heart of the beat, finally busting out in an impromptu dance, which all the kids join in on! Award-winning illustrator Frank Morrison and Connie Schofield-Morrison, capture the beat of the street, to create a rollicking read that will get any kid in the mood to boogie.

Book #4: Water Can Be, by Laura Purdie Salas

Publisher’s Synopsis:

Water can be a . . .
• Thirst quencher
• Kid drencher
• Cloud fluffer
• Fire snuffer

Find out about the many roles water plays in this poetic exploration of water throughout the year.

Book #5: Wet Cement, by Bob Raczka

Publisher’s Synopsis:

Who says words need to be concrete? This collection shapes poems in surprising and delightful ways.

Concrete poetry is a perennially popular poetic form because they are fun to look at. But by using the arrangement of the words on the page to convey the meaning of the poem, concrete or shape poems are also easy to write! From the author of the incredibly inventive Lemonade: And Other Poems Squeezed from a Single Word comes another clever collection that shows kids how to look at words and poetry in a whole new way.

Book #6: The Giving Tree, by Shel Silverstein

Publisher’s Synopsis:

“Once there was a tree…and she loved a little boy.”

So begins a story of unforgettable perception, beautifully written and illustrated by the gifted and versatile Shel Silverstein. This moving parable for all ages offers a touching interpretation of the gift of giving and a serene acceptance of another’s capacity to love in return.

Every day the boy would come to the tree to eat her apples, swing from her branches, or slide down her trunk…and the tree was happy. But as the boy grew older he began to want more from the tree, and the tree gave and gave and gave. This is a tender story, touched with sadness, aglow with consolation.

Book #7: Imagine, by Juan Felipe Herrera

Publisher’s Synopsis:

A buoyant, breathtaking poem from Juan Felipe Herrera — brilliantly illustrated by Caldecott Honoree Lauren Castillo — speaks to every dreaming heart.

Have you ever imagined what you might be when you grow up? When he was very young, Juan Felipe Herrera picked chamomile flowers in windy fields and let tadpoles swim across his hands in a creek. He slept outside and learned to say good-bye to his amiguitos each time his family moved to a new town. He went to school and taught himself to read and write English and filled paper pads with rivers of ink as he walked down the street after school. And when he grew up, he became the United States Poet Laureate and read his poems aloud on the steps of the Library of Congress. If he could do all of that . . . what could you do? With this illustrated poem of endless possibility, Juan Felipe Herrera and Lauren Castillo breathe magic into the hopes and dreams of readers searching for their place in life.

Want any more poetry? Grab our NEWEST Spring Bulletin Board with Spring Writing Prompts and Spring Writing Papers today.

Conclusion:

We hope you have enjoyed discovering so many beautiful poetry books. The next time you have a few extra minutes in your schedule, grab a poetry book or a eloquently written picture book to read aloud to your students, no matter the age. These few minutes of reading give them an escape and teaches tons of figurative language all in the same amount of time. As I always say to my older students when they say they are too old for such, I remind them that children didn’t write these beautiful stories, but grown ups who have learned to appreciate the magic of a well written story, or in our case, a poem.

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Poetry Madness Challenge

I was born and raised in North Carolina, where college basketball and March Madness were a religion. In both middle and high school, a big, box television set was wheeled in to watch the basketball tournaments in the afternoon. Normally the math teacher would be the one to do this. Their reason for this would be to incorporate fractions, probability, and statistics within these March Madness Math viewing sessions.

I wasn’t much of a sports fan, but I enjoyed having the afternoon “off” to watch a game or two. I remember even teachers turning on the corner TV to March Madness in the cafeteria, which normally blared our school announcements during lunchtime. It was definitely a big deal! When I became a high school English teacher, I discovered Poet vs. Poet, an exciting and fun way to merge March Madness with National Poetry Month in April.  It was a way to incorporate more poetry analysis, competition, and literature all in one fell swoop! I first used Emily’s Poet vs Poet resource from Read It. Write It. Learn It. Since the best resources come from actual classroom teachers. I utilized Emily’s resources for the first two years of completing Poet vs Poet when I taught high school. 

Eventually, I realized that I wanted to incorporate March Madness into my middle school classroom with poems that related specifically to my student’s interests and hobbies, yet still had classic poetry intermixed that I wanted students to read and analyze. 

Here is the FREE Poetry Madness Challenge Google Slides that I utilize in my classroom. It has poems by Kobe Bryant, Emily Dickinson, Langston Hughes, Amanda Gorman, Shel Silverstein, and Alfred Lord Tennyson to name a few. 

It also contains a free student bracket that goes along with the Google Slides presentation.

Let me explain to you how I complete the Poetry Madness Challenge in my classroom and get middle school students excited about poetry.

Step 1: Choose a time to begin. 

It takes about a full month to complete the Poetry Madness Challenge. I always begin in April, since it is National Poetry Month. Some teachers I know complete a similar activity using picture books, and they complete it during March to coincide with March Madness.

Once you’ve picked a time, decide what portion of your class time will be devoted to it.  I used the Poetry Madness Challenge as my bell ringer, and it is the very first thing we do in English class. 

Step 2: Brackets

Give students the poem bracket the day before you begin and have them do some research. They can google the poems and read them, and then decide who they believe will be the winner in each match, who will be the final 8, and then the final 4. Some students like to choose based solely on the titles or the authors they know. Some love to read every poem ahead of time and really get inside the heads of their classmates to see how they will vote.

Every year, I hype it up and tell them about the grand prize. The student that makes the most correct guesses on their bracket by the end of the month gets a mini trophy, a certificate, their favorite candy bar, and a homework pass. You wouldn’t think this would excite middle schoolers, but it really does. 

Step 3: Sweet Sixteen

We begin by reading the first two poems on the left side of the bracket, which are the first two in the “Sweet Sixteen.” Next, we read each one slowly, discussing its meaning, word choice, and any interesting things that stand out. We discuss if the poem uses any figurative language, has any specific visuals, and what some students interpret the poem to mean from their viewpoints.

Next, we vote. I do not give students their brackets back until after we vote. This is to avoid any type of cheating. Sure, they can see what poems they picked for the next day’s poet vs poet, and try to skew the classroom votes by voting for only their picks, but it never ends up working out for them. I encourage the students that even if they chose a certain poem on their brackets, but after reading it really like the other one, then they should vote for the other poem.

After I tally up the votes, I record the winner on my central classroom bracket and they can also choose to do this on theirs once I give it back to them. 

Step 4: SOAPS

Next, students pick one of the two poems we read that day and complete a SOAPS analysis on a piece of paper or in a notebook. (This year, I plan on using Poetry Madness Challenge notebooks that they record their SOAPS analyses in.) 

SOAPS stands for Speaker, Occasion, Audience, Purpose, and Subject.

Speaker is asking the reader to understand who is writing this poem, or if it’s a particular character, what point of view is shown?

Occasion is another way of examining the setting. What’s the setting of the poem? What’s taking place? When is it taking place? 

Audience refers to who the speaker is writing or talking to. Is it a random reader, is it a specific character, or both?

Purpose refers to the author’s reasoning and core purpose for writing this poem. Was it to inform, entertain, or persuade? Did the author use the poem to get something off their mind? Was it a way to draw attention to something happening in the world at the time?

Subject refers to what is this poem about. What is the topic? What is it specifically referring to?  

Step 5: Comparison/Contrast Paragraph Responses

Once the first “Sweet 16” poems are read aloud, I reread the poems as they challenge other poems and advance in the competition.  When we have to read poems once more, I will utilize YouTube videos.. In some cases, wonderful videos have been made visualizing the poem too. 

Here is a neat video of The Creation of Sam McGee by Robert W. Service:

I love the comparison of The Charge of the Light Brigade by Alfred Lord Tennyson to football in the movie The Blindside.

By viewing videos of the poems, students can analyze or find other elements they did not notice before.  

Since some students will have likely completed a SOAP analysis on one of the poems, they may choose to complete a SOAP analysis on another poem they had not chosen. Sometimes, the way the brackets happen, students have already completed a SOAP analysis on both poems, and therefore they can choose to write a paragraph response comparing and contrasting the two poems read aloud that day to each other. 

Also, when rereading the poems, it is a good idea to focus on elements not discussed previously. For instance, if you first focused on figurative language, then you may focus on sensory words the second time.

Step 6: Discussions

Once the SOAP analysis and comparison/contrast paragraph responses have been written, I like to just discuss the poems even further. At this point, the students will not have to write anything else. If you would like to keep your students writing about each poem, you can ask them to specifically write about the individual elements of each poem, like rhyme scheme, meter, particular events, settings, etc. 

Step 7: Determining the Winners

Once the winning poem has been chosen, it is time to analyze the students’ brackets. I like to go by a point system. First, if a student predicted any of the Elite 8 finalists correctly, they receive a point.

If any of the students have the final 4 predicted correctly, the students will receive 2 points. In addition, if the students have the final 2 predicted correctly, that’s three points. If they predicted the actual winner correctly, that’s five points. Sometimes, students believe they have won simply because they guessed the final winner correctly. However, that is not always the case. 

You can decide how best to come up with the winner yourself, as the teacher. However, this seems to work out well.

Conclusion:

If you are looking for a fun and engaging way to teach poetry this spring, try the Poetry Madness Challenge. The free challenge and bracket on Google Slides will help your middle schoolers become excited about poetry. It will introduce them to new and classic poets. Furthmore, it will help them see literature as enjoyable, and even related to something they love: sports. Happy Reading!

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